Yesterday was the first time I publicly performed this full live electronic setup as one connected musical ecosystem.

Not just individual instruments.
Not just gear.
But a creative workflow where every device has a role in the music, the performance, and the creative process.

What started as curiosity slowly became a complete live environment built around experimentation, performance, sound design, rhythm, harmony, and interaction.

And honestly… seeing people stop, listen, ask questions, and become curious about electronic instruments was one of the most rewarding parts of the experience.

Many people there were traditional musicians.

Some work mainly inside computers.
Others had never touched instruments like these before.

But almost everyone had the same reaction:

“Wait… you can actually perform with this?”

That’s exactly why I’m starting this series.

Below is the final rehearsal before the event using only Teenage Engineering instruments as one connected creative ecosystem.

A special thank you to Good Taste Records here in Boston, not only for making these instruments available locally, but also for envisioning and hosting such a creative event.

It’s exciting to see a space where people can discover new tools, ask questions, hear them in context, and imagine new ways of making music.